The best laid plans
In most cases, the plans are set and followed with minor variations because of challenges. In the case of Journal’s Omaha stations, just finalizing the plan was the challenge.
Reliable Connections
While remotes and live events are the primary use, many stations are using POTS and ISDN codecs for back-up STLs and other itinerant applications.
SAS Rubicon, Riolink and 32KD
Radiovisa in Los Angeles has installed a consolidated router and console system from SAS. The system reduces the cabling needs as well as the in-studio equipment needs for the stations.
OMT Technologies Imedialogger
The Imedialogger can record 12 audio sources and can play back and record simultaneously. The Bonneville St. Louis stations put it to the test.
Surround takes to the airwaves
KUVO broadcast three-time Grammy-winner Dianne Reeves with the Colorado Symphony Orchestra (CSO) live using a Harris Neustar 5225 downmix system. The event marked the first regular use of a surround broadcast in IBOC.
The end of ISDN?
When the project began, Nassau New Hampshire ordered five ISDN and POTS codecs. Now Verizon says that ISDN is not available.
Digigram Exaudi
Now that individual computers take care of all the tasks related to radio automation, the logical evolution is integration of audio transport for program contributions and distribution.
Telos Systems Zephyr Xport
Think of the Xport as the Swiss Army knife of remote equipment. It can transmit audio via POTS or ISDN to a studio-located ISDN Zephyr codec.
Neumann BCM-104
As the number of VPR productions has increased, so has the demand on these condenser microphones.
Digital Audio Workstations
While it takes several elements to make a production studio an effective workspace, the centerpiece of most studios is the digital audio workstation.
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