Adobe Audition 2.0
The feared and more expensive takeover by Adobe has come and gone and with it Adobe Audition 2.0 has arrived and is changing the way engineers listen and produce.
DBX 286A
It's a vocal processor, but you won't find controls labeled ratio, hard/soft knee, threshold and hold/release in the compressor section. Still, you will find that it's easy to use.
Air Tools 6200
Though it is specifically designed with microphone processing in mind, the Clear Channel Chicago group decided that there was no reason the Air Tools 6200 could not be used as a stereo program processor.
Sound advice
More audio processors are being built with feature sets meant to accommodate the trend of delivering content via data-reduced means.
AEQ DR-100
Recently, Orlando’s WBDO news department needed some new field recorders. It chose the AEQ DR-100. Read this article to find out why.
A new level of control
Stations with one control room or modest means can still use the analog consoles, but the possibilities offered by digital make it attractive to stations that want to build an integrated audio system.
Taking the show on the road
As technology has progressed, broadcasters have found ways to use improved technologies in unique ways to make remote broadcasts sound as good as being in the studio, but with the convenience of lighter and more flexible equipment.
Preparing for the gold
Proving that it's never too early to start planning, Westwood One began planning for the 2006 Winter Olympics coverage during the 2004 Summer Olympics in Athens.
Big, but not so easy
Following the devastation of Hurricane Katrina, New Orleans would seem to be the last place to originate a coast-to-coast broadcast for New Year's Eve. The city of New Orleans and NPR felt differently, and the pressure was on to prepare for the event.
Audioarts R55E
While most control consoles can't do anything about bizarre programming and cappuccino spills, there is a console that's easy to operate and accommodating to green broadcasters.
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