Studio Projects condenser mics
Mic processing and EQ are commonplace at radio stations, but the right mic makes all the difference.
Sending audio was never this easy
The term codec is now widely used in circles well beyond radio and broadcasting. The ISDN codec changed the way radio stations held remote broadcasts.
What's in an interface?
An explanation of the various availalable for ISDN codecs.
Enco Systems DADpro32
Three radio stations in Detroit moved into new facilities in 2000, all with unique circumstances: more than 40 workstations, linear-stereo storage for all stations, dual-touch screens in all control rooms and enough redundancy so that we would never go off the air.
AEQ Eagle and Swing
With ISDN phone lines becoming commonplace just about anywhere in the world, broadcasters have come to rely on them to deliver high-quality audio from remote locations and events back to their studio.
Predictive audio encoding
Subband Adaptive Differential Pulse Code Modulation is a non-perceptual method for reducing the bit rate of linear pulse code modulation encoded audio in real time. There are three commercial equipment options are available when adopting this method of compression.
When the show takes to the road
Take advantage of the compact size and power of current equipment to make remotes painless.
All About Audio Consoles
The audio console serves as the central control point for all audio passing through the radio station, and depending on the station's needs, it may be a simple device with only a few controls or a mammoth console with enough controls to make any techno-geek happy.
Building a National Radio Network
Cumulus is currently in the midst of an expansion, and we look inside some of the group's recent projects.
The changes to EAS
What is covered by the latest changes to EAS? The simple answer is a time extension and new event codes, but what does this mean?
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