Infrastructure

Upbeat Digs 

Today, WNYZ, which covers Manhattan, Brooklyn, Staten Island, Northern New Jersey, and Southern Connecticut, brings a new beat to the tri-state area.

Building the New Guild 

In 2007 plans were enacted to redesign the equipment layout and improve sound quality in the Ralph Guild Studio, built inside the Paley Center in 1992.

Comfort & Sound 

When many people hear the term "small market radio" they get a mental image of old, worn-out equipment, shag carpet on the walls and rundown surroundings. WLOH in Lancaster, OH, defies this stereotype

Streamlined Station 

When I first assumed the chief engineer duties at WHKP, I inherited a facility that, while beautiful and functional, was aging as far as broadcast equipment. The station had been using a DOS-based automation system since the mid-1990s for traffic and play-out of commercial material

Facility Design - Rack and Furniture 

Day Sequerra M2.2R 

Day Sequerra has updated its M2.0 HD modulation monitor, adding some nice and very useful features. I first reviewed the original M2.0 in Radio magazine in May 2006, and the new M2.2R model is an attractive piece of test equipment that will likely go in your facility where it can be seen by you and others.

Salem Omaha rebuilds 

Salem Communications owns three stations that serve the Omaha market: KCRO-AM, KGBI-FM and KOTK-AM. Each station has a history that goes back many years, and the stations’ previous studios had seen a major part of that history. Salem acquired the three stations in 2004 and 2005, and it was known early on that new facilities were a necessity.

Built Right 

For the Saga Communications stations in Asheville, NC, the need to update the facility that had more than 30 years behind it set the steps in motion. While a modern facility was the goal, the Asheville project provided Saga with the opportunity to implement some new technologies and try some new approaches. In the end, a necessary rebuild provided a showcase for the station and the group owner.

Sleek, fast and ready to move 

In early October of this year, MRN Radio, the voice of NASCAR, crossed the finish line by moving to its new studio facilities. While one advantage of this move was that the facility did not support a 24-hour on-air operation, it was not simply a move across town. The studio moved 500 miles.

Planned Transition 

A station rebuild usually includes all new equipment. Sometimes, it's not practical to replace everything, in which case, an incremental approach is needed. The Cumulus Indianapolis stations had a decent facility, but the on-air consoles weren't performing as expected or needed. The new consoles solved the existing problem, but they also set the stage for a future upgrade path.

1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | Next

Webinars

Critical Aspects of Tower Site Safety

Learn the steps you can take to ensure a safe working environment at a tower site.

33 1/3 Things You Forgot

Think wire is just wire? Think again.

Podcast Archives

Radio Currents Podcast, Oct 13

Arbitron will introduce cell-phone-only households to diarys; the FCC offers a new plan for the 700MHz band public safety use; Heil Sound hires Phil Jost; and Nautel hires John Bisset, Ellis Terry and and Steve Schmitt.

Radio Currents Podcast, Oct 6

The House passes the Webcaster Settlement Act, another House bills looks to require HD Radio in all radio receivers, and the NAB Radio Show announces attendance figures.

Forum

The Radio magazine Forum

Pose a question, discuss an idea. This is your forum.

Blog

Talkback: The Radio Blog

Talkback, the Radio magazine blog, is your chance to post and comment on technical issues in radio.

Projects in Progress

Projects in Progress tracks facility installation projects from start to finish. Follow the progress of the WUVT-FM transmitter site upgrade.

Today in Radio History

Milestones From Radio's Past

The history of radio broadcasting extends beyond the work of a few famous inventors.

magazine cover image

Current Issue

Clean up the Audio

Advancement of codec design has allowed lower bit-rates to be employed, and most codecs sound decent at these rates, but they are much more fragile with regards to distortion and susceptible to artifacts.

Browse Back Issues